International academic peer-reviewed publications

Zebracki, M. (2017), Queerying public art in digitally networked space. ACME: An International Journal for Critical Geographies. Preprint.

Zebracki, M & T. Milani (2017) Critical geographical queer semiotics. ACME: An International Journal for Critical Geographies, forthcoming

Zebracki, M. & D. de Bekker (2018), Public art for an inclusive city: Producers and publics on the social potentials and problems of flagship vis-à-vis community art. City & Society, forthcoming

Zebracki, M. (2017), Regenerating a coastal town through art: Dismaland and the (l)imitations of antagonistic art practice in the cityCities. DOI: 10.1016/j.cities.2017.04.015

Zebracki, M. (2017), Urban Preservation and the Queerying Spaces of (Un)remembering: Memorial Landscapes of the Miami Beach Art Deco Historic DistrictUrban Studies. DOI: 10.1177/0042098017709197

Zebracki, M.,  A. Sumner & E. Speight (2017), (Re)making public campus art: Connecting the university, publics and the cityPublic Art Dialogue 7(1): 6-43

Zebracki, M. (2017), Homomonument as queer micropublic: An emotional geography of sexual citizenshipJournal of Economic and Social Geography 108(3): 345-355

Zebracki, M. (2016), A cybergeography of public art encounter: The case of Rubber DuckInternational Journal of Cultural Studies. DOI: 10.1177/1367877916647142

Zebracki, M. (2016), The search for publics: Challenging comfort zones in the co-creation of public art. Cultural Geographies 23(4): 739-744

Zebracki, M. (2016), Embodied techno-space: An auto-ethnography on affective citizenship in the techno electronic dance music scene. Emotion, Space and Society 20: 111-119

Van Klinken, A. & M. Zebracki (2015), Porn in church: Moral geographies of homosexuality in Uganda. Porn Studies 3(1): 89-92

Zebracki, M. (2014), Public art as conversation piece: Scaling art, public space and audience. Belgeo: Belgian Journal of Geography 14(3) – part of special issue on ‘art(s) & space(s)’

Zebracki, M. (2014), Just art, politics and publics: Researching geographies of public art and accountabilityArt & the Public Sphere 2(1,2,3): 117-127

Zebracki, M. & J. Palmer (2014), Public art and accountability: Whose art for whose city? Art & the Public Sphere 2(1,2,3): 3-7

Zebracki, M. (2014), Sex in the city: Gender-mainstreaming urban governance in Europe. The case of Sweden and ItalyFennia – International Journal of Geography 192(1): 54-64

Zebracki, M. (2014), Explosive multiscalar negotiations of sexual citizenship: The 2014 Russian Winter Olympics countdownAntipode  A Radical Journal of Geography

Zebracki, M. (2013), Beyond public artopia: Public art as perceived by its publicsGeoJournal 78(2): 303–317

Zebracki, M. & L. Smulders (2012), Artists-accompanied urban regeneration: Insights and lessons from Utrecht and Rotterdam. Journal of Economic and Social Geography 103(5): 615–623

Zebracki, M. (2012), Engaging geographies of public art: Indwellers, the ‘Butt Plug Gnome’ and their localeSocial & Cultural Geography 13(7): 735–758 – part of special issue on ‘public space, public art and public pedagogy’

Zebracki, M. (2011), Does cultural policy matter in public-art production? The Netherlands and Flanders compared, 1945-presentEnvironment and Planning A 43(12): 2953–2970

Zebracki, M., R. van der Vaart & I. van Aalst (2010), Deconstructing public artopia: Situating public-art claims within practiceGeoforum 41(5): 786–795

Engaging geographies of public art. Social & Cultural Geography, 2012

Engaging geographies of public art. Social & Cultural Geography, 2012